Mission

The Mission of the Costumes of the Americas Museum is to own, acquire, preserve, catalogue and administer the exhibiting of authentic indigenous dress and costumes, jewelry and accessories of the Americas, with emphasis on Mexico, for the enjoyment and education of the public and to foster the study, appreciation and preservation of the history and cultural heritage embodied by these costumes.

History

A fun-loving and vivacious woman, Florence Terry Griswold found life along the Mexican border a grand adventure. She spoke Spanish before she could speak English, she made friends on both sides of the border and learned to appreciate the Mexican culture and character. She also observed the hardship and hard realities the Mexican Revolution inflicted upon the women and children of Mexico. It was these life experiences and her philosphy of "Pan Americanism" that drove Mrs. Griswold to create the Pan American Round Table Movement in San Antonio in 1916.  She modeled her movement after the Medieval Round Table, where everyone was an equal. Hence, the motto used by the Movement was, and still is today, "One for All and All for One". The Pan American Round Table was proclaimed by Mrs. Griswold to be non-political and non-sectarian and organized to help promote friendliness and understanding among the WOMEN of the Western Hemisphere. Before long, the Movement began to grow, and women in other Texas cities joined the bandwagon and organized their own Round Tables. Laredo and El Paso joined the Movement in 1921, and Austin followed suit in 1922. Also in 1922, a table was organized in Mexico City.

An honorary member of the Mexico City Round Table, Bessie Kirkland Johnson moved to Brownsville, Texas in the early 1930s. Much like Mrs. Griswold, Mrs
. Johnson brought with her a love for Mexico, its people, its customs, its dress and many life experiences that helped promote the philosophy of Pan Americanism. She founded the 5th Table in Brownsville in 1932 - Pan American Round Table I (PART I).

When she moved to Brownsville, Mrs. Johnson, affectionately known as "Mother  Johnson," brought  with her a collection of authentic Mexican costumes and handicrafts. She had become one of Mexico's leading authorities on that country's folklore and native dress. Hence, Mother Johnson challenged each member of PART I to acquire a costume from her assigned country for she saw the acquisition of costumes from different parts of the Americas as a method of learning more about these countries and their women. The ladies took up Mother Johnson's challenge, and thus began one of the finest costume collections in the Western Hemisphere. 

The Table's collection has grown over the years - the result of acquisitions and gifts from private collections belonging to PART I and local Brownsville PART II members, from friends of the Table, and from bequests such as that of Mother Johnson. The Table now owns one of the largest collections of authentic North, Central, and South American costumes in the world. The collection of over 400 costumes hails from all reaches of the Western Hemisphere - from Alaska and Canada in the North to the southernmost regions of South America and even includes costumes from some of the Caribbean countries.  The costumes are complete with petticoats, shoes, jewelry, headpieces and accessories; many of them cannot be replaced at any price! 

In 1997, PART I was approached by the Dean Porter Park Renovation Committee and was offered the opportunity to occupy part of the Mitte Cultural Education Center within Dean Porter Park. In order to protect the Table's collection, the Pan American Round Table I Costume Corporation, a recognized tax-exempt corporation, was formed. The Table transferred the entire collection to the Corporation for safekeeping and for the management of the museum. The Mitte Cultural Education Center opened its doors on May 6, 2005. The 
PART I
Costumes of the Americas Museum is featured on one side. The Museum does not have any paid staff. Corporation Board and PART I members do all the work. They have taken care of this
collection for more than 70 years and will continue to help preserve the art, culture, history, traditions, legends, folklore, and crafts of the people who make up the Americas for many years to come. 









































 



Mission and History 
Ours is a history made up of bright colors and hand woven textiles, lace, velvets, cottons and leathers.


The Apache have an elaborate ceremony for young girls entering womanhood. It is comparable to a debutant presentation or a Mexican Quinceañara. This beautiful Apache puberty dress is made of buckskin leather dyed a bright, pollen yellow. It is decorated with beadwork, long fringe and dangling bangles called "tin tinklers" that make a tinkling sound as the girl walks or dances. It is sometimes referred to as a "Jingle Dress". The lovely, white leather, bead-trimmed moccasins with the turned-up toes are called "Toe Kickers".


 

The beautifully ornate China Poblana is the National Costume of Mexico. According to legend, the origin of this costume began when a young princess from the Far East was kidnapped and sold as a slave to a Mexican Army officer from the Mexican state of Puebla. The young girl began embellishing her peasant blouse and skirt with sequins and beads in memory of the regal clothing she wore in her homeland. The work she did with those in need endeared her to the women of Puebla who started copying her dress. Over time the style evolved into the beautifully ornate and colorful fiesta dress that was chosen to represent the Mexican spirit. 



The Kuna Indians from the San Blas Islands off the coast of Panama wear a style that has remained unchanged for centuries. The women's blouses are made from Molas. Molas are patterened squares created in an intricate reverse appliqué technique in which different colored fabrics are layered; then the designs are fromed by cutting through the different layers. Molas are an art form in themselves. The Kuna also make beaded jewelry. They love beads and adorn themselves with many strands of them wrapped around their legs and arms. They also wear gold rings in their noses.







 

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